Ask Al: Digital Films and DCPs

October 20, 2023

Image of a hard drive

Welcome to our reoccuring Ask Al” column where we ask projectionist Al Reid to answer your burning questions about life in the projection booth. This month’s questions are from Cinematheque-fan, Danny Nowak.

How do you receive a digital film?
Digital films either come to us on a hard drive or via a download link, usually as a DCP (Digital Cinema Package) or as a .mov file that we convert into a DCP.

How does the anti-piracy system work?
Most films from major studios are encrypted and then unlocked (for a set number of days determined by the distributor) with an electronic key specific to the venue’s projector. Moreover films can only be loaded on to a DCP server (and then deleted), but never transferred off from them.

Does the Cinematheque pay fees?
Yes, usually there is a minimum screening fee and a percentage of the box office should sales exceed that minimum.

Can anyone order a movie that way if they have a digital projector?
No, DCP servers are very specific computers that need to be set up by a licensed technician and then married” to a projector.

Also, what is the latest on laser projection. How does it work?
Laser projectors are a newer form of light engine (aka light source) that use one to three colour lasers to produce a brighter and more vibrant image for less power that a typical lamp based source. If using less than three lasers, a phosphor colour wheel and filters are used to generate a more complete colour spectrum. Laser light engines are becoming more common place in home theatre projectors and premium commercial projectors as the upfront cost is coming down and are generally maintenance free for the life of the projector.

Have a question for Al?
Send it to: askAl@​thecinematheque.​ca

Past Posts

Date Title Category
2024-Dec Year in Review (2024) News & Events
2024-Dec 2024 Special Guests News & Events
2024-Sep Volunteer Spotlight: Lola Claire Volunteer Spotlight
2024-Aug The All Staff Listicle: The Dog Days of Summer Listicle
2024-Aug Opening Night: Catherine Breillat Opening Night
2024-Jun Experience Cinelab 2024! L&O
2024-Jun West Coast Film Archive Presentation News & Events
2024-Jun Michèle Smith
2024-Apr Intermissions
2024-Apr Tales from the Silo: National Film Week ​’86 Tales from the Silo
2024-Mar Ongoing Series at The Cinematheque News & Events
2024-Mar Presenting: Godzilla Stop-Motion Contest Films L&O
2024-Feb Volunteer Spotlight: Marlon Wiebe Volunteer Spotlight
2024-Feb AGM Notice: February 13 (Tuesday) 5:00 pm News & Events
2023-Dec Merry Movies! News & Events
2023-Dec Film Career Event: Watch Online! L&O
2023-Nov Cinema Thinks the World Presents News & Events
2023-Nov The All Staff Listicle: Fall Film Festival Edition Listicle
2023-Oct Ask Al: Digital Films and DCPs Ask Al
2023-Sep Volunteer Spotlight: Chris Ayers Volunteer Spotlight
2023-Aug Owen Kydd Interviews Bruno Dumont Interviews
2023-Jul Presenting: Early Cinema Filmmaking Workshop Films L&O
2023-Jul Tales from the Silo Tales from the Silo
2023-Jun Opening Night: Lee Changdong Opening Night
2023-Apr Volunteer Spotlight: Jonathan Wells Volunteer Spotlight
2023-Apr The All Staff Listicle: If Spring Were a Movie Listicle
2023-Mar Volunteer Spotlight: Fiona Hu Volunteer Spotlight
2023-Mar Ask Al: Adventures of a Projectionist Ask Al
2023-Mar Trailers, Tips & Tools: Editing with Music Trailers, Tips & Tools
2023-Mar What is Learning & Outreach? L&O
2023-Mar News from the Executive Director News & Events
2023-Mar Welcome to Intertitles News & Events