Cinema Thinks the World
Screening Dates
Free Admission

One of the best movies about revolutionary and anticolonial activism ever made, convincing, balanced, passionate, and compulsively watchable as storytelling.”

Jonathan Rosenbaum, Chicago Reader

One of the great epics of revolutionary political cinema, Gillo Pontecorvo’s legendary The Battle of Algiers grippingly recreates the armed struggle for Algerian independence against France in the 1950s. Battle borrows from the stylebook of both Italian neorealism and cinéma vérité to create what feels like an on-the-ground account of real events: it was shot at the actual locations and employs a mostly nonprofessional cast, some of whom were real-life participants in the historical events being depicted. The film’s incendiary verisimilitude has kept it perennially relevant for political radicals and their adversaries (it was even studied at the Pentagon at the advent of the Iraq War). Paul Thomas Anderson’s recent nod in One Battle After Another is sure to inspire a new generation of devotees to Pontecorvo’s classic critique of colonialism—and adulation of those brave enough to resist.

In French and Arabic with English subtitles

Print courtesy of Rialto Pictures

This free screening is presented as part of Cinema Thinks the World,” a partnership project between The University of British Columbia and The Cinematheque. After the film, there will be a short reception followed by a one-hour panel talk with audience discussion.

Panellists: William Brown, Laura U. Marks, Eddy Troy

Please note: Unclaimed tickets for complimentary screenings at The Cinematheque will be released 15 minutes before showtime. Please arrive early to guarantee your seat.

Acknowledgments

“Cinema Thinks the World” is sponsored by the Grant for Catalyzing Research Clusters (GCRC) at the University of British Columbia. Through a series of public screenings, panel talks, and discussions, it aims to explore the ways in which global cinema represents and helps us to think about the world.

Media
Note

William Brown is a filmmaker and assistant professor in cinema studies at the University of British Columbia. His work focuses on digital media, philosophy, posthumanism, and critical race theory, and he is the author of (among others) Infinite Ontologies of the Chthulustream (Edinburgh University Press).

Laura Marks is Grant Strate professor at Simon Fraser University and the author of several books exploring media art and philosophy with an intercultural focus. Her most recent book is The Fold: Your Body and the Cosmos (Duke University Press).

Eddy Troy is an instructor at Western Washington University, where his work explores intersections between film, philosophy, and literature. His most recent project examines migration, diaspora, and return in French-language transnational cinema.

Upcoming in this Series

  • Battle Of Algiers 2
  • The Battle of Algiers
  • La battaglia di Algeri
  • Italy/Algeria1966
  • Gillo Pontecorvo
  • 121 35mm
  • G
  • Cinema Thinks the World