European Union Film Festival 2022
- Patchwork
- Cyprus/Israel/Slovenia2021
- Petros Charalambous
- 88
- NR
- EUFF 2022
Screening Dates
- November 27, 2022 8:20
“Papoulia is perfectly cast … There are few actresses who can so intensely embody this complexity of a character built on trauma, insecurity, and the need for love.”
Vladan Petkovic, Cineuropa
Petros Charalambous’s follow-up to Boy on the Bridge (EUFF 2017) is a knotty, multi-faceted drama of middle-aged regret. Angeliki Papoulia, the fearless Greek actor at the centre of Yorgos Lanthimos’s break-out films Dogtooth (2009) and Alps (2011), stars as Chara, a complicated character who, in producer and writer Janine Teerling’s script, is presented with a series of foils: her mother, a dreaded influence; the new hire at Chara’s workplace, childless and content; and a prickly teenaged intern, who she might take under her wing. “Chara’s family is everything to her, and yet she sometimes ponders a life without them … Charalambous’s psychological drama raises several provocative questions: What makes a woman a mother? And is motherhood a natural state of boundless love and caring, or is it an ideal imposed by society? A multilayered story of a woman struggling through moments of existential angst” (Sandra Hezinová, Karlovy Vary IFF).
Video introduction by director Petros Charalambous.
To stream this film:
Click on the “Streaming” cloud icon above.
This will take you to the virtual platform where you can watch the film.
Purchase a ticket for $12 (plus tax) or purchase a multi-film pass (details below).
Each film will be “live” online for 48 hours. Once you start watching, you have 24 hours to finish the film.
If you are having technical issues with the stream, please click here.
You can also contact EUFF directly by emailing info@euffonline.ca.
This film is available to stream in Canada only.
Five Virtual Film Bundle: $50 (plus tax)
Online Festival Pass: $100 (plus tax)
Please note: Tickets to in-person screenings do not include access to online EUFF offerings, nor vice versa.