National Indigenous Peoples Day: The NFB’s Indian Film Crew
Streaming
  • June 21 (Monday) through July 4 (Sunday)
Free Virtual Program

During the late 60s, I was aware that an Indian film crew was working at the NFB. I just didn’t realize how important they would be to the future of Aboriginal filmmaking.”

Gil Cardinal

1.
The Ballad of Crowfoot
Canada 1968
Willie Dunn
10 min.

This milestone short by Mi’kmaq singer-songwriter and activist Willie Dunn was a groundbreaking first on a few notable counts: the first film of the first all-Indigenous production unit, the Indian Film Crew (IFC), at the National Film Board of Canada; the first Indigenous-directed work in the Board’s then almost thirty-year history; and, in all likelihood, the first music video ever made in Canada! It sets Dunn’s eponymous protest ballad — a tale of the 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of his people, only to suffer betrayal by the Canadian government — to a montage of stirring archival footage and photographs. Dunn, who died in 2013, has received posthumous recognition in recent months thanks to an acclaimed 2021 album compiling songs from his folk career (“The Ballad of Crowfoot” included).

2.
Travelling College
Canada 1968
Ernest Benedict
9 min.

Kanien’kéhaka (Mohawk) journalist, activist, and educator Ernest Benedict (1918–2011) directs and narrates this public-awareness documentary, produced by the NFB’s legendary Indian Film Crew. Designed for circulation throughout North America, the promotional short informs Indigenous communities about a mobile school, founded by Benedict and IFC member Michael Kanentakeron Mitchell, aimed at teaching vocational skills to Indigenous peoples marginalized by settler-capitalist society.

3.
You Are on Indian Land
Canada 1969
Michael Kanentakeron Mitchell
36 min.

The most widely seen and celebrated of the Indian Film Crew’s productions, You Are on Indian Land chronicles the 1969 protest by the Kanien’kéhaka (Mohawk) of Akwesasne following the Canadian government’s refusal to uphold a treaty right permitting duty-free cross-border passage for its people, whose territory straddles (and long predates) the Ontario-New York State divide. In 2017, this tremendously important and influential documentary — a critical precursor to Alanis Obomsawin’s Kanehsatake: 270 Years of Resistance (1993) — was officially re-attributed to Michael Kanentakeron Mitchell, future Grand Chief of the Akwesasne Mohawk Council. (NFB veteran Mort Rasen, formerly credited as director, maintained for years that it was Mitchell’s film.) Its rallying cry for Indigenous self-determination remains as urgent today as it was then.

4.
There Are My People…
Canada 1969
Michael Kanentakeron Mitchell, Willie Dunn, Barbara Wilson, Roy Daniels
13 min.

This collaborative, co-directed work from the Indian Film Crew documents a public address by Standing Arrow and Tom Porter, both of the Akwesasne Kanien’kéhaka (Mohawk) Nation, as they discuss the traumas that European colonialism — Catholicism in particular — inflicted on their religion and way of life, and their desire for reconciliation with a new generation of White settlers. Co-director Barbara Wilson, of the Haida Nation, was the IFC’s sole female member. Cree politician Noel Starblanket (1946–2019) edits.

The virtual screening link will go live on June 21.

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Media
Note

Feature image: The Ballad of Crowfoot, Willie Dunn, 1968
Media images: 1. The Ballad of Crowfoot
2. & 3. Travelling College, Ernest Benedict, 1968
4. & 5. You Are on Indian Land, Michael Kanentakeron Mitchell, 1969
6. & 7. There Are My People..., Michael Kanentakeron Mitchell, Willie Dunn, Barbara Wilson, Roy Daniels, 1969