Streaming
  • February 5 (Friday) through February 18 (Thursday)
New Documentary

Sachs achieves a poetic resignation about unknowability inside families, and the hidden roots never explained from looking at a family tree.”

Robert Abele, Los Angeles Times

This is not a portrait. This is not a self-portrait. This is my reckoning with the conundrum of our asymmetry.” So experimental filmmaker Lynne Sachs describes her beguiling new documentary and its profoundly personal intent: to reconcile the complicated relationship between herself and her bohemian father. Blending an array of home-movie footage shot between 1984 and 2019 (a veritable showcase of evolving media formats, from 8mm to digital), Film About a Father Who offers a kaleidoscopic view of Sachs’s hippie-businessman father, onetime Hugh Hefner of Park City, Utah,” whose knotty, often contradictory identities are slowly untangled by the documentarian and her network of equally bewildered siblings — many born from different mothers, some kept secret from each other. Throughout this candid, bravely public act of introspection, Sachs expresses conflicted empathy for the aging patriarch, a jovial but emotionally reticent man now in his eighties, and interrogates the bond implicit in father-daughter, and sibling-to-sibling, relationships. Its open-ended title is a nod to Yvonne Rainer’s 1974 study of female multiplicity, Film About a Woman Who.

This rental includes a Q&A between Lynne Sachs and film critic Ela Bittencourt.
Watch an introduction to the film from Lynne Sachs below.

To stream this film:
Click on the Stream” button above.
This will take you to Cinema Guild’s streaming platform, where you can watch the film.
Purchase a virtual ticket for $12 CAD (you may need to create an account first).
Once a virtual ticket has been purchased, you have three days to watch the film.
If you are having technical issues with the stream, please click here.
This film is avail­able to stream in Cana­da only.

Your ticket purchase supports The Cinematheque.

“[A] brisk, prismatic, and richly psychodramatic family portrait.”

Ben Kenigsberg, New York Times

Formidable in its candor and ambition … A chapter in a continuing stream of work by an experimental, highly personal filmmaker.”

Jonathan Romney, Screen Daily
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