• June 18 (Friday) through July 1 (Thursday)
New Restoration

As much a revelation to all of us as were the films of Věra Chytilová, Miloš Forman, or Jan Němec fourteen years later.”

Josef Škvorecký

A masterpiece” (J. Hoberman, Village Voice), Alfréd Radok’s multilayered Expressionist stunner, shot three years after the end of WWII, was one of the very first features to confront the horrors of the Holocaust. Blending archival material (some from Nazi propaganda films) and experimental elements into its nightmarish drama, Distant Journey focuses on Dr. Hannah Kaufman (Blanka Waleská), a Jewish physician in Prague. When she marries a Gentile colleague (Otomar Krejča), it only briefly forestalls her family’s deportation to the Terezín (Theresienstadt, in German) concentration camp. Radok, a leading Czech avant-garde theatre director, lost his father and grandfather in Terezín. The visual designs of his extraordinary film recall the Citizen Kane stylizations of Orson Welles and Gregg Toland. The Communist authorities criticized the work as existential” and formalistic.” After a brief run, it was banned for decades. This new 4K restoration, overseen by the Czech Republic’s National Film Archive, debuted at Berlin last year. 

The virtual screening link will go live on June 18.

Expressionism here exists not in cinema but in history … It evokes the world of Kafka.”

André Bazin, Cahiers du cinéma

Original and poetic … Although he directed only three films, Radok was one of the most influential figures in the modern Czechoslovak cinema … Distant Journey has only increased in stature with the years.”

Georges Sadoul, Dictionary of Film Makers